This book is a reedited translation of the author's doctoral dissertation submitted at the Department of Art History of the University of Heidelberg in 2000. It gives a picture of the whole array of art making in China from 1979 to 1989, a period that begins with the end of the Cultural Revolution and ends with the closure of the China/Avant-Garde exhibition held at the National Gallery in Beijing in February 1989. With preface by Lothar Ledderose and afterword by Norman Bryson.

Access level

Onsite

Location code
REF.YKM
Language

English

Keyword
Publication/Creation date

2003

No of pages

245

ISBN / ISSN

9889726297

No of copies

1

Content type

monograph

Chapter headings

Introduction

The Art Scene

Structural Features and Personnel Policy

Vague Directives and Devaluation or Evaluation of Institutions

Institutions

A Nationwide Forum and Model: Art Magazines and Symposia

Artists' Groups, Events, Exhibitions

Artistic Identity: Controversies

Semiotic Warfare

Cheng Conglin: Snow on a Certain Day in a Certain Month in 1968

Luo Zhongli: Father

Yuan Yunsheng: The Water Splashing Festival

Wang Keping: Idol

Huang Yongping: Roulette Series: Non-Expressive Painting and Non-Related Events

Wang Guangyi: Mao Zedong - Black Grid, a Revision

Gu Wenda, Wu Shanzhuan, Xu Bing: Deconstruction of the Chinese Script

Xiao Lu/ Tang Song: The Pistol Shot Event

Semiotic Warfare: Résumé

Semiotic Warfare: The Chinese Avant-Garde, 1979-1989. A Semiotic Analysis
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Semiotic Warfare: The Chinese Avant-Garde, 1979-1989. A Semiotic Analysis

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