Lines of Flight: Nilima Sheikh Archive
AAA Library, Asia Art Archive, Hong Kong
Exhibition: 22 Mar–30 Jun 2018; Exhibition Tour: Sat, 19 May and Sat, 16 Jun 2018
The Robert H. N. Ho Family Foundation Greater China Research Programme | The Robert H. N. Ho Family Foundation Greater China Researcher-in-Residence Presentation 2018 | Martina Koppel-Yang, Zhao Chuan, Chiang Poshin
A Space, Asia Art Archive | 亞洲藝術文獻庫, Hong Kong
Sat, 16 Jun 2018, 2:30 – 5 PM
Building Asia Art Archive, Part 3
How does AAA make decisions about what it collects? Jane DeBevoise and Anthony Yung discuss AAA’s China projects in relation to this query
Accumulated Grace: Nilima Sheikh on the Dunhuang Caves
Nilima Sheikh discusses histories of the Dunhuang Caves and their influence on her work
Bibliography of Modern and Contemporary Art Writing of South Asia
An interactive online bibliography of published writing on modern and contemporary art
Asia Art Archive America
Based in Brooklyn, New York, AAA in A is an independent overseas mini hub of Asia Art Archive in Hong Kong
Betsy Damon Archive: Keepers of the Waters (Chengdu and Lhasa) 貝特西達蒙檔案：水的保衛者（成都與拉薩）
The Robert H. N. Ho Family Foundation Greater China Research Programme | The Robert H. N. Ho Family Foundation Greater China Research Grant 2017 Grantees | Li Shi, Linda Huang, Svetlana Kharchenkova
2017–18
Collection highlights
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料：記錄1980-1990年的中國當代藝術
New ideas
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Building Asia Art Archive, Part 3
How does AAA make decisions about what it collects? Jane DeBevoise and Anthony Yung discuss AAA’s China projects in relation to this query
Accumulated Grace: Nilima Sheikh on the Dunhuang Caves
Nilima Sheikh discusses histories of the Dunhuang Caves and their influence on her work
“Earth Drives Earth Along”: In Conversation with Nilima Sheikh
Nilima Sheikh discusses the histories and materiality of four natural pigments from her studio space in Baroda
Gendering Her Art: The Category of “Woman” in the Art History of Hong Kong
Gender-themed art exhibitions and their relation to feminist discourse in Hong Kong