'This essay demonstrates the ways in which the official Museum of Art in Hong Kong realizes its strategies and influences of identity formation by using its resources and representative position in both colonial and postcolonial spaces. [...] Through a historical survey and investigation of some displays of art there, the essay shows how the museum incorporates the concept of cultural identity, challenges its stability and hegemony, and reformulates its meaning and content.' (excerpt from the abstract)

This article by Eva Man Kit-wah is in a downloaded printed format.
 
Access level

Onsite

Location code CLP.11.01
Language

English

Publication/Creation date

Jan 2011

Source of publication

Visual Anthropology, Jan 2011, Issue 24, pp. 90–105

No of copies

1

Content type

clipping

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This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

A Museum of Hybridity: The History of the Display of Art in the Public Museum of Hong Kong, and Its Implications for Cultural Identities

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