Certain aesthetic concerns in Japanese modern art occurred spontaneously, while others reflected the adoption of a common formal modernist language. Being modern in the Taisho and early Showa periods became integral to the society of the time. The practices and spaces of modernity changed in their meaning - or took on multiple meanings - during the 1920s, and by the early 1930s Japan was widely perceived by Japanese themselves as "modern".' - from back cover.
The book includes a chronology spanning 1860s to 1930s, a bibliography, and notes on contributors.
Onsite
English
art history,  modernism,  modernity,  Japan
2000
224
9781876749002
1
anthology
1 The Artists Start to Dance: The Changing Image of the Body in Art of the Taisho Period - Tsutomu MIZUSAWA, 水沢勉
2 Indices of Modernity: Changes in Popular Reprographic Representation - John CLARK, 姜苦樂
3 The Formation of the Audiences for Modern Art in Japan - Toshiharu OMUKA, 五十殿利治
4 On Rationalization and the National Lifestyle: Japanese Design of the 1920s and 1930s - Hiroshi KASHIWAGI, 柏木博
5 Japanese Modernism and Consumerism: Forging the New Artistic Field of 'Shogyo Bijutsu' (Commercial Art) - Gennifer WEISENFELD
6 The Cultural Life as Contested Space: Dwelling and Discourse in the 1920s - Jordan SAND
7 The Cafe: Contested Space of Modernity in Interwar Japan - Elise K. TIPTON
8 An Alternate Informant: Middle-Class Women and Mass Magazines in 1920s Japan - Barbara Hamill SATO
9 The Divided Appetite: 'Eating' in the Literature of the 1920s - Tomoko AOYAMA
10 The Past in the Present: War in Narratives of Modernity in the 1920s and 1930s - Sandra WILSON
11 Modern Selves and Modern Spaces:An Overview - Vera MACKIE
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