This book focuses on the phenomenon of the mushrooming of international biennial exhibitions since the 1990s. It examines the history of and various issues around international biennials, as well as the inter-relationships between biennials and contemporary art history.

Alternative title

86美術論叢 | 86 Art Forum | 1990-2011年的國際和區域藝術展覽思潮 | fa shao de shuang nian zhan: zheng zhi/ mei xue/ ji zhi de dai yan

Access level

Onsite

Location code
REF.KCH
Language

Chinese - Traditional

Publication/Creation date

2011

No of pages

253

ISBN / ISSN

9789860295085

No of copies

2

Content type

monograph

Chapter headings

引論:雙年展,是藝術爭言的群展,還是藝術史的製造工廠?

Part1: 垂直檔案

Ⅰ、藝術門檻-從沙龍革命到雙年展的崛起

Ⅱ、前衛發聲-戰後歐陸雙年展的爭言

Ⅲ、邊緣崛起-論述分歧的城市雙年展

Ⅳ、為誰講話?-東北亞城市雙年展的立場與主張

Part2: 平行檔案

Ⅰ、前進聖保羅-史博館/極端新派/聖保羅雙年展的三角關係

Ⅱ、前進威尼斯-聖馬可廣場的台灣當代藝術圖象期

Ⅲ、B.O.T.的年代-北美館的威尼斯雙年展台灣館策展模式

Part3: 交叉檔案

Ⅰ、向左看-2000中期的前衛展覽思潮

Ⅱ、資本藝術-雙年展群的生產者與其產品

Ⅲ、操控或失控?-雙年展文化工廠裡的批判力與資本力

Biennale Fever: The Alternative Voice of Politics, Aesthetics and Institutes
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Biennale Fever: The Alternative Voice of Politics, Aesthetics and Institutes, 發燒的雙年展:政治/美學/機制的代言