Lee Yongbaek has been at the forefront in combining high-tech digital media with art in the Korean art scene since the early 1990s. Lee is known for his experiments on multi-channeled interactive art, sound art, kinetic, and robotic techniques. As suggested by Kim Wonbang, Lee’s works are often viewed as merely advanced high-tech media art without paying full attention to his artistic intentions. As a result, in his accompanying essay, Kim examines the artist’s works in an attempt to reveal underlying concepts such as ruling symbolic orders, taboos, blasphemy, and boundaries of the heterogeneous other. Artist biography is included in the monograph.

自上一世紀九十年代初起，Lee Yongbaek一直是韓國藝壇的高科技數碼媒體創作先鋒。他最為人稱許的是在多媒體互動藝術、聲音藝術、動力與機械人科技等方面的創新。據Kim Wonbang所言，常有人質疑Lee Yongbaek的作品僅是高科技媒體藝術的產物，但其創作意圖流於空洞。針對這方面的非議，Kim Wonbang在評論中闡析了Lee Yongbaek的作品，藉以揭示其作品中隱含的概念，諸如通用的象徵秩序、禁忌、褻瀆及如何界定異質他者等問題。書內附有藝術家簡歷。