Volume 3 features more traditional forms of writing such as newspaper reviews, journal articles, catalogue essays and lecture texts as well as new platforms for critical discourses like blogs, tweets and other emergent online media, to reflect the huge diversity of work and the seismic shifts that have happened in Live Art over the last few years, particularly the unprecedented institutional embrace of performance and the rise and rise of activist practices.' - from publisher's website
Onsite
Lois KEIDAN, 
English
art criticism,  performance art
2013
337
9781849433969
1
anthology
Introduction - Aaron WRIGHT
Performance and the Institution
Performance and the Reconstruction of the Ephemeral - Christiane BOUGER
Visual Art Performance vs. Contemporary Performance - Andy HORWITZ
Unhappy days in the art world? De-skilling Theater, Re-skilling Performance - Claire BISHOP
Performance Art and The Law - Henry LYDIATE, Daniel McCLEAN
Pioneers of the Downtown Scene - Daniel B. YATES
How the 60s New York arts scene revolutionised dance - Judith MACKRELL
Manchester International Festival - Natasha DEGEN
Interview: Marina Abramović - Sean O'HAGAN
Marina Abramović and the MOCA Gala (links) - Carrie MCILWAIN, Claudia LA ROCCO
The Presence of Performance in Pop Culture and New Media
The Artist is Present - Hari KUNZRU
John Maus: Heaven - Oliver BASCIANO
E Hate Death: Performance after Genesis P-Orridge - Dominic JOHNSON
Yoko Ono to Lady Gaga - Alexis PETRIDIS
Beyoncé v De Keersmaeker: Can you copyright a dance move? (link) - Luke JENNINGS
Francophrenia - Dana GOODYEAR
Did YouTube Kill Performance Art? (link) - James WESTCOTT, Clifford OWENS, Paul LEVINSON, Liz KOTZ
Auto Italia Live - Catherine SPENCER
Through the Looking Glass. The Experience of Exchange Radical Moments! from Afar - Steven L. BRIDGES
Purge - Brian LOBEL
#dawnchorus
Art, Live & Videotape - Áine PHILLIPS
a lover's discourse - Malcolm WHITTAKER
Is the Artist Present? - Manick GOVINDA
Performance, Activism and Public Protest
Camp DAG (Aspire to Inspire) - Emma GELIOT
No Pussyfooting - Marcia FARQUHAR
Reflections on Access All Areas - Mary PATERSON
Culture, the 2012 Whitewash - criticalnetwork
Shooting Outlaws without Hurting Anyone - Emily JAMES
Press Release for Human Cost performance - Liberate Tate
Tate should end its relationship with BP - Liberate Tate
How John Browne, BP and the Old Boys Network keep the arts well-oiled - Jane TROWELL
On refusing to pretend to do politics in a museum - John JORDAN
Russia's Art War: An Interview with Voina (link) - Henry LANGSTON
Taste, Trash and Outrageousness
Trashing Performance - Diana DAMIAN
Scottee - Ben WALTERS
Transfixed by Rose Wood - Joe E. JEFFREYS
This Better Be Decent: Interview with Ann Liv Young - Stephen SQUIBB
Lineages of Trash - Owen PARRY
Golden Girl - Aaron WRIGHT
Review: My Stories, Your emails, Barbican Pit Theatre - Matt TRUEMAN
Why is it only for men? - Tania EL KHOURY
!W.A.R. - Kristin M. JONES
On Stage/Off Stage: Performance and the theatrical
The Quiet Volume, Hackney Central Library - Matt TRUEMAN
The Necessity of Narrative? - Deborah PEARSON
You Me Bum Bum Train - Andrew HAYDON
The Thrill of It All, Riverside Studios - Matt TRUEMAN
Interview: SHOW TiME - Diana DAMIAN
Shifting Traces Choreographed: Opiyo Okach, Nelisiwe Xaba, Gregory Maqoma - Esther BAKER-TARPAGA
Live Art Speed Date Review - Lois JEARY
Ontroerend Goed: are you sitting uncomfortably? - Maddy COSTA
Reactor Assemblages - Stuart TAIT, Jonathan WARING
(Gob Squad's) Revolution Now! Or Never - Brandon WOOLF
Festival, Scenes and Strategies: From the Local to the Global
Some Reflections on the Performance Work of Rabih Mroué - Ruth HOLDSWORTH
Forbidden Body - Notes on the Latin American live art scene - Guillermo GOMEZ-PENA, Gabriela SALGADO
Beyond Necessity - Victoria GRAY
Deflect away: On some performance in Aotearoa/New Zealand Excerpts of opinions from a Pakeha performance maker's work diary - Mark HARVEY
Opportunities in Crisis - Cat HARRISON
Who Needs Live Art. An ongoing rant - Barry LAING
Flare Festival 'The Future of Theatre' Panel Speech - Matt FENTON
How can art flourish? (A provocation) - Andy FIELD
How to 'make it' in the art world - Guillermo GOMEZ-PENA
Anti Festival: Out There Somewhere Walking Still - Helen COLE
Together in the here & now - Theron SCHMIDT
Performing Bodies / Thinking Bodies - Pushpamala N.
A Dialogue on Infection - Mary PATERSON, Theron SCHMIDT
And the rest: Obituaries, lectures and miscellaneous writings
Live Lab Symposium, Plymouth (January 2010) - Roberta MOCK
Sabah Mustafa Ahmad / Ahmed al-Fahel / Ahmed Subhi al-Fahal / Ahmad Subhi al-Fahl / Waddah Saadi Saleh al-Obeidi / Brothers of dead man / Daughter of dead couple...and counting: Failure and Loss in Wafaa Bilal's Body Modification Work - Barrak ALZAID
Concepts are Mental Images: The Work as Ruin - Marta JECU
Compassos do Ocaso: An Experiential Re-telling - Sara PANAMBY ROSA DA SILVA
Architecture and Performativity - Dina IBRAHIM
Flower Skin (A Flor da Pele) - Rubiane MAIA
Tactical Performance: The Deviations in Brazil - Larissa FERREIRA
When is A Walk Art? - Ian MILLISS
Guaranis: from Jejuvy to the recuperated word - Fabiane BORGES, Verenilde SANTOS
Selections from Marcia Farquhar's Open University - Charlotte RAVEN, Ruth MACLENNAN, Flora PITROLO
Ian Hinchcliff - Roger ELY
Dragan Klaic - Rose FENTON, Lucy NEAL
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