'The Live Art Almanac Volume 3 is a collection of "found" writings about and around Live Art that were originally published, shared, sent, spread and read between January 2010 and December 2011. Selected from an open call for submissions and produced with a network of international partners, Volume 3 reflects the dynamic, international contexts in which Live Art and radical performance-based practices are taking place and the many ways they are being written about.

Volume 3 features more traditional forms of writing such as newspaper reviews, journal articles, catalogue essays and lecture texts as well as new platforms for critical discourses like blogs, tweets and other emergent online media, to reflect the huge diversity of work and the seismic shifts that have happened in Live Art over the last few years, particularly the unprecedented institutional embrace of performance and the rise and rise of activist practices.' - from publisher's website
Access level

Onsite

Location code
REF.LADA
Language

English

Publication/Creation date

2013

No of pages

337

ISBN / ISSN

9781849433969

No of copies

1

Content type

anthology

Chapter headings

Introduction - Aaron WRIGHT

Performance and the Institution

Performance and the Reconstruction of the Ephemeral - Christiane BOUGER

Visual Art Performance vs. Contemporary Performance - Andy HORWITZ

Unhappy days in the art world? De-skilling Theater, Re-skilling Performance - Claire BISHOP

Performance Art and The Law - Henry LYDIATE, Daniel McCLEAN

Pioneers of the Downtown Scene - Daniel B. YATES

How the 60s New York arts scene revolutionised dance - Judith MACKRELL

Manchester International Festival - Natasha DEGEN

Interview: Marina Abramović - Sean O'HAGAN

Marina Abramović and the MOCA Gala (links) - Carrie MCILWAIN, Claudia LA ROCCO

The Presence of Performance in Pop Culture and New Media

The Artist is Present - Hari KUNZRU

John Maus: Heaven - Oliver BASCIANO

E Hate Death: Performance after Genesis P-Orridge - Dominic JOHNSON

Yoko Ono to Lady Gaga - Alexis PETRIDIS

Beyoncé v De Keersmaeker: Can you copyright a dance move? (link) - Luke JENNINGS

Francophrenia - Dana GOODYEAR

Did YouTube Kill Performance Art? (link) - James WESTCOTT, Clifford OWENS, Paul LEVINSON, Liz KOTZ

Auto Italia Live - Catherine SPENCER

Through the Looking Glass. The Experience of Exchange Radical Moments! from Afar - Steven L. BRIDGES

Purge - Brian LOBEL

#dawnchorus

Art, Live & Videotape - Áine PHILLIPS

a lover's discourse - Malcolm WHITTAKER

Is the Artist Present? - Manick GOVINDA

Performance, Activism and Public Protest

Camp DAG (Aspire to Inspire) - Emma GELIOT

No Pussyfooting - Marcia FARQUHAR

Reflections on Access All Areas - Mary PATERSON

Culture, the 2012 Whitewash - criticalnetwork

Shooting Outlaws without Hurting Anyone - Emily JAMES

Press Release for Human Cost performance - Liberate Tate

Tate should end its relationship with BP - Liberate Tate

How John Browne, BP and the Old Boys Network keep the arts well-oiled - Jane TROWELL

On refusing to pretend to do politics in a museum - John JORDAN

Russia's Art War: An Interview with Voina (link) - Henry LANGSTON

Taste, Trash and Outrageousness

Trashing Performance - Diana DAMIAN

Scottee - Ben WALTERS

Transfixed by Rose Wood - Joe E. JEFFREYS

This Better Be Decent: Interview with Ann Liv Young - Stephen SQUIBB

Lineages of Trash - Owen PARRY

Golden Girl - Aaron WRIGHT

Review: My Stories, Your emails, Barbican Pit Theatre - Matt TRUEMAN

Why is it only for men? - Tania EL KHOURY

!W.A.R. - Kristin M. JONES

On Stage/Off Stage: Performance and the theatrical

The Quiet Volume, Hackney Central Library - Matt TRUEMAN

The Necessity of Narrative? - Deborah PEARSON

You Me Bum Bum Train - Andrew HAYDON

The Thrill of It All, Riverside Studios - Matt TRUEMAN

Interview: SHOW TiME - Diana DAMIAN

Shifting Traces Choreographed: Opiyo Okach, Nelisiwe Xaba, Gregory Maqoma - Esther BAKER-TARPAGA

Live Art Speed Date Review - Lois JEARY

Ontroerend Goed: are you sitting uncomfortably? - Maddy COSTA

Reactor Assemblages - Stuart TAIT, Jonathan WARING

(Gob Squad's) Revolution Now! Or Never - Brandon WOOLF

Festival, Scenes and Strategies: From the Local to the Global

Some Reflections on the Performance Work of Rabih Mroué - Ruth HOLDSWORTH

Forbidden Body - Notes on the Latin American live art scene - Guillermo GOMEZ-PENA, Gabriela SALGADO

Beyond Necessity - Victoria GRAY

Deflect away: On some performance in Aotearoa/New Zealand Excerpts of opinions from a Pakeha performance maker's work diary - Mark HARVEY

Opportunities in Crisis - Cat HARRISON

Who Needs Live Art. An ongoing rant - Barry LAING

Flare Festival 'The Future of Theatre' Panel Speech - Matt FENTON

How can art flourish? (A provocation) - Andy FIELD

How to 'make it' in the art world - Guillermo GOMEZ-PENA

Anti Festival: Out There Somewhere Walking Still - Helen COLE

Together in the here & now - Theron SCHMIDT

Performing Bodies / Thinking Bodies - Pushpamala N.

A Dialogue on Infection - Mary PATERSON, Theron SCHMIDT

And the rest: Obituaries, lectures and miscellaneous writings

Live Lab Symposium, Plymouth (January 2010) - Roberta MOCK

Sabah Mustafa Ahmad / Ahmed al-Fahel / Ahmed Subhi al-Fahal / Ahmad Subhi al-Fahl / Waddah Saadi Saleh al-Obeidi / Brothers of dead man / Daughter of dead couple...and counting: Failure and Loss in Wafaa Bilal's Body Modification Work - Barrak ALZAID

Concepts are Mental Images: The Work as Ruin - Marta JECU

Compassos do Ocaso: An Experiential Re-telling - Sara PANAMBY ROSA DA SILVA

Architecture and Performativity - Dina IBRAHIM

Flower Skin (A Flor da Pele) - Rubiane MAIA

Tactical Performance: The Deviations in Brazil - Larissa FERREIRA

When is A Walk Art? - Ian MILLISS

Guaranis: from Jejuvy to the recuperated word - Fabiane BORGES, Verenilde SANTOS

Selections from Marcia Farquhar's Open University - Charlotte RAVEN, Ruth MACLENNAN, Flora PITROLO

Ian Hinchcliff - Roger ELY

Dragan Klaic - Rose FENTON, Lucy NEAL

The Live Art Almanac Volume 3
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The Live Art Almanac Volume 3