Collections | Search | Third Text Asia: Critical Perspectives on Contemporary Art & Culture (All Holdings) | Asia Art Archive

The Archive holds the complete series of Third Text Asia: 

2008: Spring (no.1)

2009: Spring (no.2), Autumn (no.3)

2010: no.4

Note: Third Text Asia is an edition of Third Text published in the United Kingdom with financial assistance of the Arts Council England.

Alternative title

(Third Text Asia: Critical Perspectives on Contemporary Art and Culture)

Access level

Onsite

Location code
PER.THTA (Please ask staff for assistance)
Language

English

Keyword
Publication/Creation date

2008

Publication status

Ceased publication

ISBN / ISSN

17560675

Content type

magazine/journal/newspaper

Third Text Asia: Critical Perspectives on Contemporary Art & Culture (All holdings in AAA)
Share
Citation
Rights statement

In Copyright

What does this mean?

This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

Third Text Asia: Critical Perspectives on Contemporary Art & Culture (All Holdings)

Relevant content

Image: Rasheed Araeen, Untitled B, 1962.
Rasheed Araeen | A Journey of the Idea
Programmes

Rasheed Araeen | A Journey of the Idea

Thu, 3 Dec 2015

Rasheed Araeen in front of Third Text archive,
An Open Letter to Artists in Pakistan
LIKE A FEVER | Notes

An Open Letter to Artists in Pakistan

Rasheed Araeen is the founding editor of Third Text

pamthumbnail
Publishing as Method: In Conversation with Ozge Ersoy and Paul C. Fermin
LIKE A FEVER | Conversations

Publishing as Method: In Conversation with Ozge Ersoy and Paul C. Fermin

On publishing cultures and trends, conceptualisations of “Asia,” and care and community during the COVID-19 pandemic

FieldNotes04_HammadNasar_home
A Conversation Between Chen Kuan-hsing and Rasheed Araeen
LIKE A FEVER | Conversations

A Conversation Between Chen Kuan-hsing and Rasheed Araeen

On art history, institutional complicity, and decolonisation struggles