"Third Text is an international scholarly journal dedicated to providing critical perspectives on art and visual culture. The journal examines the theoretical and historical ground by which the West legitimises its position as the ultimate, arbiter of what is significant within this field. Established in 1987, the journal provides a forum for the discussion and (re)appraisal of theory and practice of art, art history and criticism, and the work of artists hitherto marginalised through racial, gender, religious and cultural differences. Dealing with diversity of art practices - visual arts, sculpture, installation, performance, photography, video and film - Third Text addresses the complex cultural realities that emerge when different worldviews meet, and the challenge this poses to Eurocentrism and ethnocentric aesthetic criteria. The journal aims to develop new discourses and radical interdisciplinary scholarships that go beyond the confines of eurocentricity." This is issue 55 (Summer 2001), edited by Rasheed Araeen and Ziauddin Sardar: featuring an essay on the work of Chinese artist, Li Yuan-chia by Paul Overy; the work of Egyptian artist, Ghada Amer by Olu Oguibe; and a review of the Istanbul Biennial by Tomur Atagok and Susan Platt.
Alternative title

Third Text: Third World Perspectives on Contemporary Art and Culture, (Third Text: Third World Perspectives on Contemporary Art & Culture), (Third Text: Critical Perspectives on Contemporary Art and Culture)

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Onsite

artist
Location code
PER.THT (Please ask staff for assistance)
Language

English

Publication/Creation date

2001

Publication status

In print

ISBN / ISSN

09528822

No of copies

1

Content type

magazine/journal/newspaper

Chapter headings

Modernism and Modernity: The Patented Fragments

Ambivalent Geographies: The Exotic as Domesticated Other

Aspects/Positions: How Central is Central Europe?

Black Radical Feminism and the Reclamation of Identity

After a Long Silence: The Work of Li Yuan-chia - Paul OVERY

Love and Desire: The Art of Ghada Amer - Olu OGUIBE

Escape from Social Utopia: New Art in Argentina and Chile

Cape of Longing: South Africa and Kay Hassan

Stong Light, Dark Shadow: Norman Finkelstein: Holocaust Industry

Deep Focus: A three-year cultural diversity stategy (Phase 1) of the British Film Institute

Varieties of Havana: The 7th Habana Bienal

The Istanbul Biennial: The Digestible Other - Susan PLATT, Tomur ATAGOK

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Third Text: Critical Perspectives on Contemporary Art & Culture (No.55; Summer 2001)