Being Political Popular: South Korean Art at the Intersection of Popular Culture and Democracy, 1980-2010
2012
Gwangju Biennale 2012: Workstation 1 | Self-Organisation as Ethic
2012광주비엔날레: 워크스테이션1 | 윤리로서의 자기조직화
2012
Coexisting Differences: Women Artists in Contemporary Korean Art
JIN Whuiyeon, 진휘연
2012
Continuity and Intensity: 2008-2010, 58 Participants and Contemporary Art in Korea
연속과 강도: 2008-2010, 58인의 참여와 한국현대미술
2010
Flash Art (No. 255; Jul/Sep 2007)
Sonia CAMPAGNOLA , Akiko ICHIKAWA, 市川暁子 , KIM Seungduk, 김승덕 , Satoru NAGOYA , Eugene TAN, 陳維德 , Aurelie VOLTZ , Andrea WIARDA
2007
Busan Biennale 2018: Divided We Stand
2018부산비엔날레: 비록 떨어져 있어도
Apr 2019
Not Only Possible, But Also Necessary: Optimism in the Age of Global War: 10th International Istanbul Biennial (Guide)
HOU Hanru, 侯瀚如
2007
