'Projected onto plexiglass in an arched corridor, Red Stock shows an outstretched hand, opening and closing, with its palm marked by a single small red dot. Enlarged and slowed down considerably, the eerie, grasping motion of the hand in this version of Great Movement conveys a sinister sense of foreboding for futures in flux within the historical context of the Handover. Presented at the Festival of Cultures, Munich, Galerie de Kunstler, Germany.'

—taken from dye-a-di-a-logue with Ellen Pau, p.236

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