In this publication, the author Ni Tsaichin re-examines ink painting critically in regards to contemporary issues, such as social, economical and political changes, religion, aesthetics and globalization. He also points out that ink painting has been marginalized by the imposing of western aesthetic models on the art form. He argues that the success and failure in revolutionizing ink painting lie in the abilities of contemporary ink painters and not in this already mature and sophisticated art form.
Access level

Onsite

Location code REF.NTC
Language

Chinese - Traditional

Publication/Creation date

2005

No of pages

196

ISBN / ISSN

9867519493

No of copies

1

Content type

monograph

Chapter headings
中國水墨. 台灣趣味 - 台灣水墨發展之批判
山水畫的建立, 發展與重探
兩岸水墨之互動與困境
水墨藝術之抽象性
百年回顧. 百年爭辯 - '中國水墨百年回顧及其再新世紀的發展前景'國際研討側記
以無所得故
文人美學與禪
萬峰透迤拔地開 - 論余承堯的山水
漂泊的靈魂 - 閱讀趙春翔有感
傳統之新 - 江兆申的繪畫
題拔與用印
A Critique on Chinese Ink Painting
Share
Citation
Rights statement

In Copyright

What does this mean?

This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

A Critique on Chinese Ink Painting, 水墨畫講 - 文人美學與當代水墨的世紀之辯