'A Museum That is Not sounds a bit like the all-too-familiar institutional critique. Albeit déjà vu as such doesn't make much sense in this site-specific museum where the direct references are not the far away and abstract art system, but the bank next door, the shop nearby, the residential building where the museum resides and the restaurants across the street. In reality, it is simply a deferred museum, so a deferred story based on this deferred museum may be subversive. It is not even "a museum" that is not, but a performative statement about any other museums that are not and will never be. If we are to approach the museum with a sense of the unknown, then attention to empirical encounters is crucial. Pursuing this investigation in the form of an exhibition and series of events, and attempting to present these undefined motives and questions is the starting point of the reflective journey that is A Museum That is Not.

In order to create a series of unexpected encounters, everything about the idea of adventure is now brought back into play. The state of a museum or a non-museum and the reflections they elicit will be opened up for exploration by the public in the form of a journey. The settings will include the fully non-material, performative museum known as the "Xiangqian Museum" (Hu Xiangqian); a Museum of Unknown and an "Encounter" they create; a juxtaposition of a "Museum of Modern Art" that appeared out of nowhere (Museum of American Art in Berlin), and the empty implications of "Museum and Me" (Liu Ding); and last and not least, a discotheque on "Mute" (Wilfredo Prieto) that should not be there, like a black hole in the end of a story that absorbs expectations without releasing answers. For the seven weeks of the exhibition, the museum becomes an open "box," with artist talks reaching out to university campuses, lectures by a suspiciously deceased philosopher, a film screening and tea party about museums, a workshop on a community newspaper and a half-day exhibition in a nearby shop will all take place at different times during this period. These events will persistently invite the public to revisit the museum and then turn their backs on it and forget all the nonsense about a museum with a few unresolved questions until the next time.' (Back flap)

This catalogue is published in conjunction with 'A Museum That Is Not', which was organised by Guangdong Times Museum, Guangzhou and took place from 11 September to 30 October 2011. Participating artists and contributors include ChART Contemporary (Megan and KC Vienna Connolly), HomeShop, Hu Xiangqian, Liu Ding, Museum of American Art in Berlin, Museum of Unknown, Wilfredo Prieto, Wu Jie, and Zhang Xiangqi. Their biographies are provided.
Alternative title

Yi ge fei mei shu guan

Access level

Onsite

practitioner

ChART Contemporary

HomeShop

Location code EX.CHN.MIN
Language

Chinese - Simplified, 

English

Publication/Creation date

2011

No of pages

199

ISBN / ISSN

Nil

No of copies

2

Content type

catalogue

Chapter headings
Reflection
How to Perform an Imagery of Negation? - Nikita Yingqian CAI, 蔡影茜
Yellowside Channel 'Chatter Box: Mr White Cube's Comments' - TING Wingyan Vivian, 丁穎茵
Representation
The Third Opening of the Xiangqian Museum - HU Xiangqian, 胡向前
Statement of the Museum of Unknown - Museum of Unknown, 未知博物馆
A Memory of Modern Art: Interview with Walter Benjamin - Nikita Yingqian CAI, 蔡影茜
MoMA Made in China - Walter BENJAMIN
Museum and Me - LIU Ding, 劉鼎
Interview with Wilfredo Prieto - Direlia LAZO
Open Up the Box: A Room to Be Shared
Museums on the Screen: A Senior Movie Fan in Conversation with a Curator - WU Jie, 吳捷
The YellowSide Daily Letters to the Editor - HomeShop
Bringing Together Art & People in Guangzhou — A TV That Is Not a TV - ChART Contemporary
Resonance
藝術的破產 The Unmaking of Art (Chinese translation only) - Walter BENJAMIN
一個非美術館 A Museum That is Not (Chinese translation only) - Elena FILIPOVIC
展覽作為媒介 Exhibition as a Medium (Chinese translation only) - Simon SHEIKH
A Museum That Is Not
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A Museum That Is Not, 一個非美術館