Onsite
Jörg HUBER, 
English
art criticism,  aesthetics,  ink painting,  calligraphy,  performance art,  installation,  photography,  sculpture,  video art,  China
2011
232
9789888083374
1
anthology
Preface - Jörg HUBER
Ink Painting in the Age of New Wave - CHANG Tsongzung Johnson, 張頌仁
The Sound of One Hand: Between Meaning and No-Meaning - LU Dadong, 魯大東
The Essential Meaning of Chinese Calligraphy and Its Loss - KONG Guoqiao, 孔國橋
Literati Painting: Reflections Across Discontinuities - CHEN Anying, 陳岸瑛
Realism Is a Kind of Ideology in China - WANG Chunchen, 王春辰
The Emperors Have Rotted Long Ago, Only the Fragrance of Nanmu Wood Remains - QIU Zhijie, 邱志傑
People's 'Writing'. bitan ('pen talk' or interview) - CHEN Chiehjen, 陳界仁, ZHAO Chuan, 趙川
The Dismantling and Re-Construction of Bentu ('This Land' or 'Native Land'): Contemporary Chinese Art in the Post-colonial Context - GAO Shiming, 高士明
Gu Dexin: A Double Take - CHAN Hoyeung David, 陳浩揚
Art in Its Regional Political Context: Exhibition and Ctiricism - WANG Nanming, 王南溟
Two Histories of Art: What Arts Represent China? - ZHU Qi, 朱其
Pingyao and Lianzhou: Changes in the Situation of Contemporary Chinese Photography - JIANG Wei, 姜緯
Evolution of Conceptual Photography and Its Position in the History of New Art - DAO Zi, 島子
How Much Space of Exchange is there on the Internet in Relation to Contemporary Art? - JIN Feng, b. 1962, ﹝老﹞金鋒
The Paradox of the Individual and the Collective: An Angle of Observation on Contemporary Chinese Theatre - TAO Qingmei
Can That Be? Why Can't It Be? - ZHANG Xian, 張獻
Art That Has Encountered Changes - ZHAO Chuan, 趙川
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