The booklet was published in conjunction with the 2013 exhibition. According to the foreword written by Biljana CIRIC, the exhibition explored and studied the Shenzhen OCT Contemporary Art Terminal as 'a model of an institution specific to the Chinese context to discuss issues relevant to institutional, artistic, and curatorial practices that intersect upon common ground, particularly in the hopes of being proactive in contributing to the larger context we are all working within.'
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