Alternative title

(Art Asia Pacific), (ArtAsiaPacific), (Art and AsiaPacific)

Access level

Onsite

editor
Location code
PER.AAP (Please ask staff for assistance)
Language

English

Publication/Creation date

2000

Publication status

In print

No of copies

1

Content type

magazine/journal/newspaper

Chapter headings

Serendipity: Asian Video. Photography. Film and Installation - Shino KURAISHI, 倉石信乃

Transience and Time: A Mattress Factory Residency - Joan KEE, 奇廷泫

From Zen to Pop Culture: An Autumn in Los Angeles - Collette CHATTOPADHYAY

Twisting the Box: Centre A Reinvents the Art Museum - Paula GUSTAFSON

A Floating World: Prospects for the Future of Asian Art - Alison CARROLL

Loss and Leaving: ‘One Hundred Years After’ in the Philippines - Patrick D. FLORES

Art and Nation: ‘Nokia Singapore Art 1999’ - LEE Wengchoy, 李永財

Do You Mind My Art?: Public Art in China - WANG Val

Weaving New Links: A Tapestry Workshop in Melbourne - Christopher HEATHCOTE

In Search of Dissidence: ‘9 Lives’ at Casula Powerhouse - Ashley CARRUTHERS

Spectacles of Invisibility: the Photography of Tsang Kwong Chi and Nikki S. Lee - Irene V. SMALL

The Question of Body Ownership: Lee Bul’s Cyborgs and Monsters - Robert J. FOUSER

Duplicating Memory: Chen Shun-Chu’s Photo-Installations - Sophie McINTYRE

A Continuing Tradition: Asmat Art of Irian Jaya - Todd BARLIN

Islands of History: Two Exhibitions of Torres Strait Islander Culture - Nicholas THOMAS

An Unsettled Season: Political Art of Indonesia - Asmudjo Jono IRIANTO

Art Fair Report: Melbourne Art Fair 2000 - Helen ELLIOTT

Reviews: (Hong Kong) Huang Yan - Pamela KEMBER

Reviews: (Singapore) History Through Prints - Ray LANGENBACH

Reviews: (Hong Kong) Jimmy Ong - Iola LENZI

Reviews: (China) Cai Jin - YE Sang

Reviews: (Australia) Guess Who’s Coming to Dinner - Philip MAR

Reviews: (Singapore) The Rose Crossing - LEE Wengchoy, 李永財

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This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

ART AsiaPacific (No. 28; 2000)