Artit
Onsite
Makoto AIDA, 会田誠, 
BAE Youngwhan, 배영환, 
CAO Fei, 曹斐, 
JEON Joonho, 전준호, 
Sako KOJIMA, 児島サコ, 
LEE Yongbaek, 이용백, 
LI Gyung, 리경, 
MOON Hyungmin, 문형민, 
Yasuyuki NISHIO, 西尾康之, 
NOH Suntag, 노순택, 
XIA Jing, 夏靜, 
CAO Fei, 曹斐, 
CHE Kyongfa, 최경화, 
HOU Hanru, 侯瀚如, 
JIANG Jun, 姜珺, 
KIM Sunjung, 김선정, 
Hans Ulrich OBRIST, 
OU Ning, 歐寧, 
Takashi SHINKAWA, 新川貴詩, 
English, 
Japanese
perennial exhibition,  video art,  curatorial practice,  art administration,  Japan
Apr 2007
In print
1348933X
2
magazine/journal/newspaper
To the Venice Biennale with love: Has the Biennale reached a turning point? - Takashi SHINKAWA, 新川貴詩
Interview with Cao Fei
Cao Fei: A cosplayer recounts alternative histories - HOU Hanru, 侯瀚如
China Tracy Pavilion - CAO Fei, 曹斐, OU Ning, 歐寧
Asia-Pacific pavilion highlights - CHE Kyongfa, 최경화
Curator interview: China's women, women's China
Commissioner interview: Hiroshima memories, Venetian vestiges
Commissioner interview: Overcoming Korea's inferiority complex
Special interview: Robert Storr, Director of the 52nd International Art Exhibition of the Venice Biennale
Chinese shadow pavilion
Japanese shadow pavilion
Korean shadow pavilion
National strategies for Venice: What the facts and figures reveal
Interview with Bae Young-whan
Structure that support the arts 3: Cartier
Tsumura Kosuke: Fantasy mode to order 9 : Interview with Kojima Sako
Special article for the Documenta magazine project: 'Modernity' in Asia - Fumihiko SUMITOMO, 住友文彥, KIM Sunjung, 김선정, JIANG Jun, 姜珺
Curators on the move 5: from Hans Ulrich Obrist to Hon Hanru: Exhibition-making in a transnational context - Hans Ulrich OBRIST
Does Japan have a 'Venice strategy'?
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