Onsite
Takashi AMANO, 天野尚, 
Noe AOKI, 青木野枝, 
Ay-O, 靉嘔, 
Matsuo DAITANI, 代谷松男, 
Kazunori FUJII, 藤井一範, 
Hitoshi HONGO, 本郷仁, 
Ayumu ISHIDA, 石田歩, 
Masaji KASHIO, 橿尾正次, 
Emi KIYOKAWA, 清河恵美, 
Sosui KIYOKAWA, 清河宗翠, 
Reina KOBAYASHI, 
Masafumi MAITA, 真板雅文, 
Mariko MISUMI, 
Hisayuki MOGAMI, 最上壽之, 
Masanori MURATSUBAKI, 
Takashi NISHIKAWA, 西川毅, 
Mizhuho NOMURA, 
Shinobu OKAZAKI, 岡崎忍, 
Yoshishige SAITO, 斎藤義重, 
Shozo SHIBASAWA, 柴澤勝造, 
Morio SHINODA, 篠田守男, 
Abiru SHOGO, 阿比留生吾, 
Satoru SHOJI, 庄司達, 
Yoichi TAKADA, 高田洋一, 
Kitasoka TETSU, 北岡哲, 
Junichi TOKUEMON OKADA, 岡田德右衛門順一, 
Shozo TOMIYAMA, 富山省三, 
Shigeo TOYA, 戸谷成雄, 
Kimio TSUCHIYA, 土屋公雄, 
Kazumi TSUJI, 辻和美, 
Kenichi USHIKUBO, 丑久保健一, 
Katsuhiro YAMAGUCHI, 山口勝弘, 
Masumi YAMAGUCHI, 山口真澄, 
Sachiko YANAGIHARA, 柳原幸子, 
English, 
Japanese
sculpture,  painting,  installation,  Japan
2005
128
1
report
When a Power Plant Becomes an Art Museum: Commemorating the 10th Anniversary of the Nizayama Forest Art Museum - Arata TANI, 谷新
The Trajectory of Becoming an Art Museum and Its Colossal Challenges - Masaki YANAGIHARA, 柳原正樹
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