Alternative title

(Art Asia Pacific), (Art AsiaPacific), (Art and AsiaPacific)

Access level

Onsite

Location code
PER.AAP (Please ask staff for assistance)
Language

English

Publication/Creation date

2007

Publication status

In print

ISBN / ISSN

15588904

No of copies

2

Content type

magazine/journal/newspaper, 

review

Chapter headings

Living in a beautiful Japan - Roger McDONALD

Auction report: the floating bubble - Don COHN

Thai artists rock about love - Brian MERTENS

Shiseido hatches new award for young artists - Kenichi KONDO, 近藤健一

Huang Rui: goodbye 798 - Britta ERICKSON, 林似竹, Elena SHIH, 石林林

Mr.: out of body experience - Andrew MAERKLE

Reading Terence Koh - Paul LASTER

Araya Rasdjarmrearnsook: matters of life and death - Brian CURTIN

Eric Chang's rising star - Elaine W. NG, 伍穎瑜

Not only possible but also necessary: art in the present tense, Robert Sotrr and Hou Hanru

Venice Biennale 52nd International Art Exhibition: around the world

Ai Weiwei: the freedom of irreverence - Charles MEREWETHER

Hangzhou is all right - Philip TINARI, 田霏宇


Exhibition reviews:

The door into summer: the age of Micropop (Art Tower, Mito) - Kenichi KONDO, 近藤健一

Tong Yanrunan: About face (Osage - Kwun Tong, Hong Kong) - TANSKI-GILBERT Julia

Wang Xingwei: Large rowboat (Galerie Urs Meile Beijing - Lucerne, Beijing, China) - Carol Yinghua LU, 盧迎華

Body talk (Eastlink, Shanghai, China)

Thakon Khao sa-ad: Between (Gallery Ver, Bangkok, Thailand) - Gregory GALLIGAN

totalstadt.beijing case (ZKM / Museum of Contemporary Art, Karlsruhe) - Astrid MANIA

Eastern edge (Aicon Gallery, New York, U.S.A.) - Lisa VARGHESE

Huang Yong Ping: From C to P (Gladstone Gallery, New York, U.S.A.)

Simryn Gill: Perspectives (Arthur M. Sackler Gallery, Washington DC, U.S.A.)

World factory: Active witness (San Francisco Art Institute, San Francisco, U.S.A.) - CHA Carina Weichung


Eko Nugroho: your freedom embrasing me - Elaine W. NG, 伍穎瑜

Share
Citation
Rights statement

In Copyright

What does this mean?

This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

ArtAsiaPacific (No. 53; May/Jun 2007)