The book contains a series of essays discussing the notion of studio-art doctorates. Elkins separates his book into two parts; the first part introduces and sets the stage for the concept while the second includes excerpts from the
Onsite
English
2014
Second edition
476
9780991504756
2
anthology
Introduction
Part One:Theories and Histories
Six Cultures of the PhD Around the World - James ELKINS
List of PhD Programs Around the World - James ELKINS
Researching the PhD in Art and Design: What Is It, and Why Do A PhD in Art and Design? - Judith MOTTRAM
When Management Speaks... - Charles HARRISON
Thoughts on 'Research' Degrees in Visual Arts departments - Victor BURGIN
The PhD in Studio Art Revisited - Timothy Emlyn JONES
The Artist-Philosopher and the New Philosophy - George SMITH
Singing Across Thresholds - Iain BIGGS
The Studio Art Doctorate in America - Timothy Emlyn JONES
Four Theses Attempting to Revise the Terms of a Debate - Mick WILSON
Experimental Aesthetics - Henk SLAGER
The Future of the Doctorate in the Arts - Jan BAETENS, Hilde VAN GELDER
Fourteen Reasons to Mistrust the PhD - James ELKINS
Notes in Response to the Fourteen Reasons - Judith MOTTRAM
Positive Ideas for PhD Programs - James ELKINS
Writing as Practice: Notes on Materiality of Theory for Practice-Based PhDs - Jonathan Lahey DRONSFIELD
Between Apparatus and Ethos: On Building a Research Pedagogy in the Arts - Mick WILSON
Part Two: Examples
Fritha Langerman (University of Cape Town, South Africa)
Ruth Waller (School of Art, Australian National University, Canberra; MA)
Kyoko Nakamura(Tokyo Geidai)
Yuki Matsueda(Tokyo Geidai)
Maria Mencia(Chelsea College of Art and Design/ University of the Arts, London)
Phoebe von Held(University College London/ Slade School of Art)
Marcela Quiroga Garza(Universidad de las Americas Puebla, Mexico )
Qi Zhen(Central Academy of Fine Art, Beijing)
Envoi
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