Onsite
Thomas J. BERGHUIS, 
CHANG Tsongzung Johnson, 張頌仁, 
John CLARK, 姜苦樂, 
Britta ERICKSON, 林似竹, 
Helen GRACE, 
GU Zhenqing, 顧振清, 
HUANG Du, 黃篤, 
HUANGFU Binghui, 皇甫秉惠, 
KELLY Philippa, 
Ken SCARLETT, 
Karen SMITH, 
Louisa TEO, 
YANG Li, 楊荔, 
English
installation,  performance art,  censorship,  cultural policy,  painting,  ink painting,  calligraphy,  photography,  digital art,  feminism,  public art
2003
In print
07271239
2
magazine/journal/newspaper, 
review
Two faces of contemporary art in China - Souchou YAO
The cost of creativity - Karen SMITH
Backflow: Returned Chinese artists - Britta ERICKSON, 林似竹
Chinese art Sydney style - Louisa TEO
Xiandai Shufa: Brushes with modernism - Helen GRACE
Broadening the scope - Thomas J. BERGHUIS
Thinking about Guan Wei - KELLY Philippa
A lens on diversity - HUANG Du, 黃篤
Wang Jianwei: Working on the boundaries - HUANGFU Binghui, 皇甫秉惠
The decade of the rise of Chinese women artists - GU Zhenqing, 顧振清, YANG Li, 楊荔
Alors, la chine? - John CLARK, 姜苦樂
Changchun, China: To confront or confirm - Ken SCARLETT
Economic downturn in Hong Kong breathes new life into culture - CHANG Tsongzung Johnson, 張頌仁
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