'The book offers a bridge into the critical understanding of modern Chinese art through its encounter with the world beyond China's borders. David Clarke demonstrates Chinese art's interconnections with Western cultures while exploring its inherited cultural traditions and internal historical change.

The first section deals with the cross-cultural trajectories of individual Chinese artists who traveled from China to the West and then returned. The focus then shifts from the movement of individual artists between cultures to the process by which specific genres of Western art have been interpreted by Chinese artists. The final section illuminates the encounter of cultures via visual representations of Macau and Hong Kong.'  - from the inside flap

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Chapter headings
Part I Trajectories: Chinese artists and the West
Chapter 1: Chitqua: A Chinese artist in eighteenth-century London
Chapter 2: Cross-cultural dialogue and artistic innovation: Teng Baiye and Mark Tobey
Part II Imported genres
Chapter 3: Iconicity and indexicality: The body in Chinese art
Chapter 4: Abstraction and modern Chinese art
Part III Returning home: Cities between China and the world
Chapter 5: Illuminating facades: Looking at postcolonial Macau
Chapter 6: The haunted city: Hong Kong and its urban others in the postcolonial era
Chinese Art and Its Encounter with the World
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Chinese Art and Its Encounter with the World