This book provides an in-depth study of the history of figurative art in China since the 1980s. It analyses the term 'New Figurative Art' and studies its development in the context of the social and historical changes underwent by the country. Moreover, a chapter is devoted to the development of figurative art in the West since the beginning of the 20th century to provide a larger picture of this art form.
Title type

Translated

Alternative title

Zhong guo dang dai mei shu xian xiang pi ping wen cong: Xin ju xiang yi shu — zai xian shi he nei xin zhi jian

Access level

Onsite

Location code REF.ZXL
Language

Chinese - Simplified

Keyword

Cynical RealismChina

Publication/Creation date

2000

No of pages

238

ISBN / ISSN

7538607692

No of copies

2

Content type

monograph

Chapter headings
引言 - 關於‘新具象’
第一章 - 從德郎被重提說起
第二章 - 現實;寫實;真實與‘新具象’
第三章 - 與此相應的國外‘新具象’或新現實主義繪畫
第四章 - ‘新具象’藝術之前及現實主義問題
第五章 - 在新時代:‘亞當亞娃’的開始
第六章 - ‘新具象畫展’
第七章 - ’85:在現實和超現實之間
第八章 - 照相寫實在工藝美院的引進和變異
第九章 - ’85時期具象繪畫的幾個人物
第十章 - 新生代與現實主義新動向
第十一章 - 90年代形形色色的‘新具象’畫家
第十二章 - 石沖現象
第十三章 - 回到視覺:中國美術學院具象表現繪畫五人
結語
附錄一 - 新具象藝術活動事記
附錄二 - 新具象藝術家簡歷
附錄三 - 一幅肖像的變化
(Contemporary Chinese Art Criticism Series: A Study on 'New Figurative Art')
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Contemporary Chinese Art Criticism Series: A Study on 'New Figurative Art', 中國當代美術現象批評文叢: 新具象藝術—在現實和内心之間