'Li Huasheng (b. 1944) represents the first generation of artists raised and trained in the People's Republic of China. His career spans the painting of Maoist propaganda in the 1960s, a decade of secretly studying forbidden traditional styles during the Cultural Revolution, an overnight rise from poverty to prominence during the artistic rejuvenation of Sichuan province under Deng Xiaoping, a hellish descent into political disgrace during the anti-Western campaign of 1983-1984, and a boldly pursued political rehabilitation to become Sichuan's foremost younger artist today.'  - from the inside sleeve of the book jacket.

'Contradictions reveals for the first time both the details and the character of artistic life in socialist China. Particular attention is given to the various forms of patronage that shaped these artists' options: state patronage, a monopoly that has been regulated by associations,academies, exhibition halls, and publication houses in conformity with Communist party ideology; commercial patronage, in which painting serves as a form of currency in the exchange of private services and personal favors; protective patronage, provided by the political elite in exchange for art and artistic companionship; and spiritual patronage, provided by Daoist and Buddhist temples that share the artist's passion for individual creativity and antipathy to the state.' - from Alibris.com.
Access level

Onsite

Location code
REF.SIJ
Language

English

Publication/Creation date

1993

No of pages

242

ISBN / ISSN

029597155X

No of copies

1

Content type

monograph

Contradictions: Artistic Life, the Socialist State, and the Chinese Painter Li Huasheng
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Contradictions: Artistic Life, the Socialist State, and the Chinese Painter Li Huasheng