The 24th Bienal de São Paulo remade art history from a Brazilian perspective, and presented a new model for exhibition-making in the era of post-colonial globalisation. The show employed the Brazilian notion of anthropophagy as both concept and method; it encouraged 'contamination' and 'cannibalisation' of the canon and attempted to rethink the role of exhibition-based education. Detailed documentation reconstructs the Bienal, with extensive analysis provided by Lisette Lagnado. Further contributions are made by Dias & Riedweg, Andrea Fraser, Paulo Herkenhoff, Pablo Lafuente, Mirtes Marins de Oliveira, Carmen Morsch and Catrin Seefranz, and Renato Sztutman.- from the back cover

Alternative title

Exhibition Histories

Access level

Onsite

Location code
REF.LAL2
Language

English

Publication/Creation date

2015

No of pages

295

ISBN / ISSN

9783863355548

No of copies

1

Content type

anthology

Chapter headings

Anthropophagy as Cultural Strategy: The 24th Bienal de Sao Paulo - Lisette LAGNADO

The 24th Bienal de Sao Paulo 1998

The Epistemological Leap of Anthropophagy After the 24th Bienal de Sao Paulo - Mirtes Marins de OLIVEIRA

Out of The Cantinho-Art Education at The 24th Bienal de Sao Paulo - Carmen MORSCH, Catrin SEEFRANZ

The (Re)turn of The Anthropophagites: Reconnecting Oswalk de Andrade's Proposal to Amerindian Art-Thought - Renato SZTUTMAN

Manifesto Antropofago - Oswald de ANDRADE

Anthropophagite Manifesto - Oswald de ANDRADE

Incomplete Glossary of Sources of Latin American Art - Paulo HERKENHOFF

Reporting from Sao Paulo, I'm from The United States: Five Broadcasts on The 24th Bienal de Sao Paulo - Andrea FRASER

Interviews

-Andrea Fraser in Conversation with David Morris

-Dias & Riedweg in Conversation with Line Ellegaard

Afterword: For What, For Whom - Pablo LAFUENTE

Cultural Anthropophagy: The 24th Bienal de Sao Paulo 1998
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Cultural Anthropophagy: The 24th Bienal de Sao Paulo 1998