'Is it the intentionality described by phenomenology and the ambiguous flesh of the active viewer who enters the work of art and fully explores its most extreme possibilities that determine the limits of possible subjectivation? Or is it the work itself that defines the parameters of new potential forms of subjectivity, perhaps involving modes of awareness that dodge the framework of phenomenology? Such are the questions that constitute the ultimate horizon of this essay.' (Back cover of the book)
Access level
Onsite
author
Location code
REFS.BID
Language
English
Keyword
Publication/Creation date
2005
No of pages
116
ISBN / ISSN
097456883
No of copies
1
Content type
monograph
Chapter headings
Syncope
Who is Me Today?
Crystals
Chronologies
Extended Cinema
Time Difference
Cutting Time
Simultaneously
Nothing
Future Arrivals
Chronometers
Daniel Birnbaum: Chronology
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