The publication is occasioned by Moderation(s), a long-term program that started in January 2013 and that stemmed from a collaboration between two international art institutions: Witte de With Center for Contemporary Art in Rotterdam and Spring Workshop in Hong Kong. Within this framework artist and writer Heman Chong was invited to steer and moderate the program. 

'Over the course of two years, from 2012 to 2014, Moderation(s) saw a sprawling ecology of artists, curators, and writers gather around different formats of inhabitation, production, and exhibition making. Essays were viewed as works of fiction, language as image, sculpture as situation. An extension of this approach, End Note(s) focuses on interpretations of and reflections on what has been said and what has been done during Moderations(s).' - from back cover

Access level

Onsite

Location code REF.CHH3
Language

English

Publication/Creation date

2014

No of pages

167

ISBN / ISSN

9789491435294

No of copies

2

Content type

anthology

Chapter headings
Inter|Intra 1-10 (+1) - Guy MANNES ABBOTT
Animated Eyes - Oscar VAN DE BOOGAARD
The Intestine or the Tapeworm? - Chris FITZPATRICK
The Social Contract - A Constructed World
True Pleasure - Aaron SCHUSTER
Incidents of Travel - Latitudes
Boquerones en Vinagre - Nadim ABBAS, 唐納天
Dimensions Variable - Travis JEPPESEN
Speaking in Parentheses - Christina LI, 李綺敏
Directors' Afterwords - Defne AYAS, Mimi BROWN
End Notes(s) - Heman CHONG, 張奕滿
End Note(s): Moderation(s) 2012-2014
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In Copyright

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This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

End Note(s): Moderation(s) 2012-2014

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