This book compiles recent works (2007–2011) by Eunji Cho, accompanied by poems, focusing on the 'socio-psychological landscape of surface elements of the city interpreted by her own intuition and methodologies'. Cho favors a minimal approach and uses a range of media including drawing, video, performance and installation. One of her signature actions involves throwing mud at a blank wall.
With an essay by Jang Un Kim. A list of works/image captions and other explanatory notes are provided in the index.
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