This publication is produced on the occasion of solo exhibition of Chinese artists Gu Changwei of the same title held from December 2014 to March 2015.
The exhibition includes digital, video and installation art works by Gu, all related to everyday life but representing an unusual perspective of seeing things. The artist invites audience to reflect on themselves and the social values lied under the objects.
Two booklets are attached to the back of the front cover of the catalogue. One is a collection of photographs and illustrations of the exhibition, whereas another one includes a foreword by Samuel Kung, the Museum's Curator, essays by Yan Lianke, Li Xianting and Kong Chang'an, and Gu's biography.
The exhibition includes digital, video and installation art works by Gu, all related to everyday life but representing an unusual perspective of seeing things. The artist invites audience to reflect on themselves and the social values lied under the objects.
Two booklets are attached to the back of the front cover of the catalogue. One is a collection of photographs and illustrations of the exhibition, whereas another one includes a foreword by Samuel Kung, the Museum's Curator, essays by Yan Lianke, Li Xianting and Kong Chang'an, and Gu's biography.
Alternative title
i- Gu chang wei dang dai yi shu zhan
Access level
Onsite
practitioner
Location code
MONL.GCW
Language
Chinese - Simplified, 
English
Keyword
installation,  digital art,  sociology,  solo exhibition
Publication/Creation date
2014
ISBN / ISSN
Nil
No of copies
2
Content type
artist monograph, 
catalogue
Chapter headings
He Who Emerges from Destruction | 從毀滅中走來 - Lianke YAN, 閻連科
Imaginative Image - Gu Changwei's Interpretation of Hundred-RMB Bill | 意外形象 - 顧長衛解析百元大鈔 - LI Xianting, 栗憲庭
'i' In A Smoggy Town | 霧都 'i' - KONG Changan, 孔長安
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