'China has become an increasingly dynamic center for contemporary art, and its various art scenes have been covered extensively by both academic and general art publications. Until now the vast issue of contemporary Chinese art has remained unexplored by localized analysis within a specific Chinese cultural sphere. In this text, Frank Vigneron focuses his analysis on Hong Kong, which is an ideal candidate due to its complex historical and cultural background that distinguishes it from any vague notion of 'Chinese national culture'. Rather than present a generalized overview of 'Hong Kong art', Vigneron instead focuses on and contextualizes the works of about eighty artists working in and around Hong Kong while offering his personal reflections on this burgeoning aspect of Chinese culture.' (back cover)

Bibliography and index included.

Access level

Onsite

Location code
REF.VIF (Hong Kong Room)
Language

English

Publication/Creation date

2010

No of pages

315

ISBN / ISSN

9789629964313

No of copies

2

Content type

monograph

Chapter headings

Localized Diaspora

Body without Organs

Infra-national Culture

Deterritorializing Concepts

Hybridization

Connecting Nodes

Pearl River Delta

Coda: Plasticians Are Idiots

I Like Hong Kong: Art and Deterritorialization
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In Copyright

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This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

I Like Hong Kong: Art and Deterritorialization