'"L'Intérieur du Géant" originates from the title of Nadar's 1863 photograph, of the inflating interior of his 60 meter high hot air balloon, which soon brings Nadar to produce some of the first aerial photographs. As the art work elevated Nadar, the artists in this exhibition likewise propel audience to new perspectives: from weight to levity, from mental perception to physical manifestation, from the past to the hallucinatory future. They entrench in the present to reach far into the span of time; they search intensely in peripheral visions to unravel or cinch our systems of knowledge.' - excerpted from curatorial statement.
Zhong guo nei bu: ju ren zhi nei
Onsite
Chinese - Traditional,
English
2014
131
Nil
2
catalogue
Foreword
Inside China: L'Intérieur du Géant | 中國內部：巨人之內 - TANG Joey, 鄧祖兒
The Points, Lines and Planes of Chinese Art | 中國藝術點線面 - WANG Chunchen, 王春辰
Curator's Interview
Jo-ey Tang, Interviewed by K11 Art Foundation - TANG Joey, 鄧祖兒
To be Absolute in Chinese Art - WANG Chunchen, 王春辰, TANG Joey, 鄧祖兒
Exhibition
Special Project - CHENG Ran, 程然
Inside China: L'Intérieur du Géant (Paris Station), 中國內部：巨人之內
What does this mean?
This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.