This issue of the Journal features the joint exhibition entitled Ten, which brings together landscape paintings by ten artists from New York, China, Taiwan and Hong Kong.
The accompanying essays look at the appreciation of traditional Chinese painting in this century; the collection of contemporary art by an American institution; and the various aspects of the Chinese ink painting tradition such as brushwork and the importance of drawing on and understanding the art of the old masters.
This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.