This present publication features Koh Myung Keun's photographs and photo-sculptures inspired by the natural elements, old buildings and the human body. Okyoung Yoon, curator of Gana Art Center writes, 'Myung-keun Koh has explored the unique world of photography and plasticity to present three-dimensional photographic images[...] When he photographs the outer walls of old buildings, he keeps them in transparent films and turns them into box-shaped forms, the initial beauty captured in each transparent film is recreated again and again.' With artist statement and short texts by art critics, art historians and curators, some in Korean only. Artist's biography is provided.
Access level

Onsite

Location code
MON.KMK2
Language

English, 

Korean

Keyword
Publication/Creation date

2005

No of pages

104

ISBN / ISSN

8974090392

No of copies

1

Content type

artist monograph

Chapter headings

Myung-Keun Koh's Photo-Sculptures - PARK Juseok

The Veneer of Identity - KIM Yuyeon, 김유연

Dé-clênage en tant qu' introspection, ou de la peau d'illusion à la structure ouverte - SHIM Sangyong, 심상용

From Reproduction to Restoration, from Reality to History - YI Jooheon, 이주헌

A Sense of Transparent Plasticity - LEE Kyungseong

Myung-Keun Koh's Transparent Buildings - YOON Okyoung, 윤옥영

Koh Myung Keun
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Rights statement

In Copyright

What does this mean?

This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

Koh Myung Keun, 고명근