This is a monograph of the performance and experimental artist Kwok Mang-ho (a.k.a. Frog King). Photographs, clippings and articles about Frog King’s artistic activities are featured in this publication, offering a retrospective look at the development of his art and the contribution he made to the art scene, in particular, in Hong Kong and New York during the years from 1967-1997. Biographical information of Frog King is included. Note that only articles written for the purpose of this publication are catalogued under ‘Chapter Headings’.
Onsite
Chinese - Traditional,
English
performance art, installation, video art, collage, calligraphy, sculpture, solo exhibition
1999
Nil
1
artist monograph,
catalogue,
review
Kwok-Art Life For 30 Years 1967-1997, 郭孟浩遊藝三十年 1967-1997
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Performance Art
The selected publications on this page present the varied ways artists, curators, and researchers experiment with performance. For some, performance is a way to defy the commodification of art, a physical intervention into dominant narratives, or an enactment that eludes state control. Performance may be a protest that takes place in the theatre, on the streets, in a café, or in a private setting. For others, it is experimentation with the form: a transformation, appropriation, or expansion of dance, theatre, and film.
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