'Davis draws largely on reader-response literary theory and anthropological approaches to the study of objects in society in order to trace the biographies of Indian religious images over many centuries. He shows that Hindu priests and worshipers are not the only ones to enliven images. Bringing with them differing religious assumptions, political agendas, and economic motivations, others may animate the very same objects as icons of sovereignty, as polytheistic "idols," as "devils," as potentially lucrative commodities, as objects of sculptural art, or as symbols for a whole range of new meanings never foreseen by the images' makers or original worshipers.' (From publisher's website)
Onsite
English
art history,  religion,  India
1999
350
9780691005201
1
monograph
Introduction
Living Images
Trophies of War
Images Overthrown
Visnu's Miraculous Returns
Indian Images Collected
Reconstructions of Somanatha
Loss and Recovery of Ritual Self
Conclusion: Identities and Manifestations
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