An article about ‘Heavy Light: Recent Film and Video from Japan,’ an exhibition at New York’s International Centre of Photography (ICP). Most works examine the contest between individual and collective identity and the tension between human culture and nature. Kenja Yanobe’s Blue Cinema in the Woods, Asako Narahashi’s Half Awake and Half Asleep in the Water series, Tomoko Sawada’s photographs from her school days, Midori Komatsubara’s Sanctuary series, Miwa Yanagi’s Fairy Tales series, Naoya Hatakeyama’s documentation of limestone quarries, and Hiroh Kikai’s street documentary photographs are all mentioned.
This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.