'Hazy faction' is a Japanese art school appeared in the late Meiji era. The paintings are characterized by the abandonment of traditional line drawing technique, and the exclusion of clear outline. Based on such painting style, contemporary artists from four different countries exhibit their works, aiming at re-opening a fresh and inspiring discussion on 'hazy faction'.
本書出版於同名聯展，展覽於2013年9至10月在北京東京畫廊舉行。
「朦朧體」這一日本繪畫風格起源於一個世紀以前，在明治時代後期出現，特色是不使用傳統線描或無明確輪廓線。本展覽即是以此類歷史風格構想為前提，集結了來自四個國家的當代藝術家作品，旨在對「朦朧主義」繪畫進行一次具世界意義的新探討。
Xin meng long zhu yi
Onsite
Chinese - Simplified,
English
2014
208
Nil
2
catalogue
Can you draw the air? | 「繪空」方法之有關 - Yukihito TABATA, 田畑幸人
'Neo-Moroism' as a Cultural Construct | 作為文化概念的'新朦朧主義' - PI Daojian, 皮道堅
What is the True Protagonist in Paitning? - Some Notes on Neo-Moroism | 繪畫的真正主角是什麼？ - 借'新•朦朧主義'想要確認的若干事項 - Toshiaki MINEMURA, 峰村敏明
Ideals in New Painting: the Historical Context of Moro-Tai | 新繪畫的理想：'朦朧'的歷史語景 - WEI Xiangqi, 魏祥奇
An Enlightened Realm to Observe the Void: a Calm, Unclouded, and Spiritual Human World | 觀空悟境：一個清和靈性的人間世界 - YE Jianqing, 葉劍青
Experimenting with Visual Manifestations of 'Non-Discriminating Eyes and Mind' | 實驗'無分別的世界觀'和'無差別的精神境界'之視覺呈現 - WANG Shuye, 王舒野
Transcript on Public Symposium | '新朦朧主義'學術研討會
Neo-Moroism, 新朦朧主義
What does this mean?
This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.