'Projected-image art occupies an increasingly important place in the contemporary art-world. But does the projected image have its own specificity, beyond the histories of experimental film and video on the one hand, and installation art on the other? What is a projected image, and what is the history of projected-image art? What is the relationship of the projected image to the museum, and is the museum being superseded by new media, digital, and internet art? What are the specific forms of spectatorship which are encouraged by projected-image art, and how do these present challenges to existing critical and theoretical frameworks? Is there a politics of projection?

These questions and others are explored in this collection of nine essays by leading international scholars of film and projected-image art. Structured in three sections - "Histories", "Screen", and "Space" - the book argues for recognition of the projected image as a distinctive category in contemporary art, which demands new critical and theoretical approaches.' - excerpted from back cover.

Including an index.
Alternative title

Rethinking Art's Histories

Access level

Onsite

editor
Location code
REF.TRT3
Language

English

Publication/Creation date

2011

No of pages

214

ISBN / ISSN

9780719084638

No of copies

1

Content type

anthology

Chapter headings

Introduction: Theorising the Projected Image - Tamara TRODD

Part I: Histories

Rooms of our Time: Laszlo Moholo-Nagy and the Stillbirth of Multi-Media Museums - Noam M. ELCOTT

'Festival' and 'Museum' in Modernist Film Histories - Maxa ZOLLER

The Matter of Illusionism: Michael Snow's Screen/Space - Kate MONDLOCH

Part II: Screen

Projecting Symptoms - Joanna LOWRY

'You've got me under your spell': The Entranced Spectator - Maria WALSH

Screen Eroticisms: Exploring Female Desire in the Work of Carolee Schneemann and Pipilotti Rist - Amelia JONES

Part III: Space

Windows in the White Cube - Andrew V. UROSKIE

Inside the Film-Machine: Architecture and Apparatus in British Women's Film since the 1990s - Tamara TRODD

The Projective Shift between Installation Art and New Media Art: From Distantiation to Connectivity - Christine ROSS

Screen/Space: The Projected Image in Contemporary Art
Share
Citation
Rights statement

In Copyright

What does this mean?

This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

Screen/Space: The Projected Image in Contemporary Art