In this essay, Kee discusses the various approaches in writing about contemporary Korean art, drawing example from the works of Suh Do-Ho and Oh Inhwan. This article is an offprint that first appeared in Third Text.
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Onsite

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CLP.03.06
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English

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Jun 2003

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Third Text, Jun 2003, Vol. 17, Issue 2, pp. 141–150

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1

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clipping

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This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

Some Thoughts on the Practice of Oscillation: Works by Suh Do-Ho and Oh Inhwan