This is a dissertation for a MA degree programme in curating contemporary art at the Royal College of Art in the London, completed in May 2003. An appendix with the following contents are included in the back of the dissertation:

I. An interview with Xu Bing
II. Other European 'Chinese' Exhibitions

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REF.PAE (Closed Stack)
Language

English

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Publication/Creation date

2003

No of pages

48

No of copies

1

Content type

dissertation

Chapter headings

Introduction: Looking for a Global Plateau

Section 1: The Global Show
Magiciens de la terre, Pompidou Centre, Paris, 1989
The Chinese 'representatives'
Galerie des Cinq Continents, Musee des Arts d'Afrique et d'Oceanie, Paris, 1995
How Latitudes Become Forms, touring exhibition, 2003

Section 2: Chinese Presence at the Venice Biennale
Introduction
Venice Biennale, 1993
Venice Biennale, 1995
Harald Szeemann's Biennials: Lyon 1997 and Venice 1999
Venice Biennale, 2003

Section 3: Chinese Shows
Silent Energy, MOMA Oxford, 1993
Out of the Centre, Pori Art Museum, Finland, 1994
Living in Time, Hamburger Bahnhof, Berlin, 2001

Conclusion

The Reception and Representation of Chinese Contemporary Artists in Western Europe 1989-2003
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The Reception and Representation of Chinese Contemporary Artists in Western Europe 1989-2003