Art in Taiwan underwent important qualitative changes during the Japanese Occupation Period (1895-1945), both in terms of an enhanced sense of patriotic resistance to the Japanese and in terms of artistic creativity. Above all, Tung-Yang Painting in that era occupies a pivotal point in over three centuries of traditional Chinese Painting. In this paper, it is intended to explore developmental trends in traditional Chinese Painting by referencing Tung-Yang painting in Taiwan.
Please note that the Thesis Abstract is provided in English.
Please note that the Thesis Abstract is provided in English.
Access level
Onsite
author
Location code
REF.LJF2
Language
Chinese - Traditional
Keyword
Publication/Creation date
1993
No of pages
464
ISBN / ISSN
9570024488
No of copies
1
Content type
monograph
Chapter headings
Chapter 1: Introduction
Chapter II: The Development of Traditional Taiwan Painting During the Late Ch'ing Dynasty
Chapter III: The Development of Taiwan Tung-Yang Painting Under the Colonization Policy
Chapter IV: The Development of Taiwan Tung-Yong Painting Under the Official Art Exhibition
Chapter V: The Influences of Taiwanese Folk Art Group on Tung-Yang Painting
Chapter VI: Conclusion
The Research for the Development of Taiwan Tung-Yang Painting During the Japanese Occupation Period, 日據時期台灣東洋畫發展之研究
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