Onsite
English
art writing,  Vietnam,  Thailand,  South Korea,  Asia Pacific,  India,  China,  Hong Kong,  Japan,  Singapore
1997
154
06463427X
2
conference proceedings
Session 1: Globalisation Versus Unique Identities
Mirror of the Future: Shadows Before - Caroline TURNER
Developing Regionalist Perspectives - T.K. SABAPATHY
Contemporary Art and Multimodernism - Jim SUPANGKAT
Indigenism and Globalism: 'First Nation' Perspectives in the Contemporary Art of Aotearoa/New Zealand and Te Moananui-a-Kiwa/the Pacific - Jonathan MANE-WHEOKI
Session 2: Post Otherness
Paradise, And Then, And Then, And Then - Rhana DEVENPORT
Era of an Eventful Voyage - Fumio NANJO, 南條史生
Cultural Futures: What will 'Cultural Exchange' in Asia be in 2020? - Alison CARROLL
Time, Space and Discontinuity - Julie EWINGTON
Session 3: The 'Role' of the 'Contemporary' 'Artist'
Introduction by the Chair and Session Commentator - David WILLIAMS
Papua New Guinea Culture: Perceptions and Realities - Michael A. MEL
The 'Role' of the Artist and Present Institutional Encounters - Ian HOWARD
The Role of 'Contemporary Artists' in Indonesia - Dolorosa SINAGA
WHO DO You 'Represent'? (And For Whom Do You Make Your Representations'?) - Niranjan RAJAH
Session 4: Artists and the Social Dimension
The Present Situration of Contemporary Chinese Art (Ecology and Psychology) - WANG Youshen, 王友身
The Artist and the Social Dimension in Thailand - Chumpon APISUK, จุมพล อภิสุข
(Speech by the Session Commentator) - Martin STUART-FOX
Individual Freedom Approaching Creative Society - Semsar SIAHAAN
Session 5: History/Memory/Voyages
The Art of Bottling a Ship: The Polynisation of Art - Jim VIVIEAERE
LOCUS - An Internal Time - Kimio TSUCHIYA, 土屋公雄
Cultural Brokerage in the Aboriginal Stockmarket - Installation Art as Social Metaphor - Margo NEALE
(Speech by the Session Commentator) - Nicholas THOMAS
(Speech by the Session Commentator) - WONG Hoycheong, 黃海昌
Session 6: Sprituality and Re-Investing Tradition
Profane Illuminations - Deepak ANANTH
Beyond Belief (Spirituality and Re-investing in Tradition) - Kamin LERTCHAIPRASERT, คามิน เลิศชัยประเสริฐ
Spirituality and the Torres Strait Tradition - Tom Byra MIXIE MOSBY
Session 7: Collecting and Exhibiting Asian and Pacific Art
(Speech by the Chair) - Anne KIRKER
Collecting and Exhibiting Asian Art at the Singapore Art Museum - Kianchow KWOK, 郭建超
The Asian Art Show of Fukuoka and the New Asian Art Gallery (A History of the Fukuoka Asian Art Show: When a Festival Becomes a Museum) - Masahiro USHIROSHOJI, 後小路雅弘
Korean Art and its Identity in the International Context - AHN Soyeon, 안소연
Hong Kong 1997: The Politics of Curating - HO Hing Kay Oscar, 何慶基
(Speech by the Session Commentator) - Victoria LYNN
Session 8: Voices of Gender
Emotion and Art - CHEN Yanyin, 陳妍音
Vietnamese Women Painters - Their Role, Characteristics and Artistic Creative Potential - DANG Thi Khue
The Inner Space: Women's Art in India - Kamala KAPOOR
Voices from Japanese Women Artists - Emiko NAMIKAWA
Session 9: Popular Culture: Metaphors for Change
Discussion of the artist's work in the Second APT - Takashi MURAKAMI, 村上隆
Discussion of the aritst's work in the Second APT
Ikot (Round Trip) - Mark Orozco JUSTINIANI
Not So Serious (Transcultural Dialogues) - Pat HOFFIE
Popular Culture: Metaphors for Change (Making Change Popular: Making Art Change) - Patrick D. FLORES
Anything Goes Pop! - Enin SUPRIYANTO
Session 10: New Orientation for the New Millennium - Part 1
Facing the Wall of the Future - HOU Hanru, 侯瀚如
What does this mean?
This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.