Transience: Chinese Experimental Art at the End of the Twentieth Century
This is the leaflet for a range of programs based on the theme of exploring Chinese experimental art at the end of the Twentieth century. The related events include: a seminar featuring 7 Chinese contemporary artists; film screening “Good Morning, Beijing” (1990) directed by Nuanxin ZHANG; exhibition; and symposium on the topic “Global Perspectives on Contemporary Chinese Art” featuring an international group of scholars, curators, and critics, including exhibition curator Hung WU; Johnson CHANG of the Hanart TZ Gallery, Hong Kong; Minglu GAO, curator of the exhibition 'Inside Out: New Chinese Art'; Hon Hanru, Paris-based critic and curator; and Andrew Solomon of the New York Times.
Access level

Online

Language

English

Publication/Creation date

1999

No of copies

1

Content type

ephemera

Share
Citation
Rights statement

In Copyright

What does this mean?

This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

Transience: Chinese Experimental Art at the End of the Twentieth Century