'This is the first anthology regarding contemporary art criticism and in Chinese by Wu Hong, who is an art historian, an art critic and a curator. The book complies 15 recent essays on art criticism written from two different perspectives, namely art works and art exhibitions. Wu illustrates clear theorizing and historical vision in a plain writing style, providing with readers a significant literature for understanding Chinese contemporary art. The book responds to questions like "why is contemporary art called "contemporary"? What is unique about Chinese contemporary art? What is "experimental exhibition"? What is the relationship between art works and the exhibition venue?", and provides answers supported by historical evidence and photos. Not only is this useful to researchers of Chinese culture and contemporary art, but also people who would like to explore the current development of Chinese contemporary art.' - translated from back cover.
Wu hong lun zhong guo dang dai yi shu: zuo pin yu zhan chang
Onsite
Chinese - Simplified
2005
331
9787536232181
2
anthology
上編：中國當代實驗藝術
1. 廢墟、破碎和中國現代與後現代
2. 「當代」的一個案例 - 中國當代美術的條件、領域及敘事
3. 中國當代藝術的「當代性」
4. 關鍵在於「實驗」：談90年代的中國實驗藝術
5. 面向國內：90年代中國實驗藝術的一個新方向
6. 本土與全球：90年代中國實驗藝術的一個關鍵問題
7. 過去與未來之間：中國當代攝影簡史
8. 「老照片熱」與當代藝術：精英與流行的協商
下編：中國當代實驗性展覽
9. 90年代的「實驗性展覽」
10. 「2000年上海雙年展」：一個「歷史事件」的締造
11. 空間的敘事：三個「時間性」展覽的策劃
12. 798廠 · 特定場地展出 · 「蛻」
13. 徐冰的《煙草計劃》
14. 「美的協商」：一個國際性實驗展覽
15. 未來的城市與未來的城市美術館
Wu Hung on Contemporary Chinese Art: Art and Exhibition, 巫鴻論中國當代藝術：作品與展場
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