This publication traces the artistic development of Chinese artist Zhu Wei. It features his works created between 1993 to 2000, including the series The Story of Beijing, Sweet Life, China Diary, Pictures of the Strikingly Bizarre, Supreme Treatise on Moral Retribution, The Square, Diary of the Sleepwalker, Festival, Sunflowers, Great Water, Sculpture and Lithographs. They are accompanied by new essays, previously published articles, and excerpts from a past interview. With artist biography and index of seals used by the artist.

Access level

Onsite

Location code
MONL.ZHW
Language

Chinese - Traditional, 

English

Publication/Creation date

2000

No of pages

398

ISBN / ISSN

9627502553

No of copies

1

Content type

artist monograph, 

catalogue

Chapter headings

The Art of Art - LIU Tiancheng, 劉天呈

Chinese Painting Techniques in the 20th CenturyExamples of Zhu Wei's Art Works in the 1990s

- ZHANG Li, 張離

The Emperor's Used Clothes

- Don COHN

Zhu Wei the "Black Sheep" and "Red Rock'n Roll"

- JIA Fangzhou, 賈方舟

Zhu Wei: Living in History

- Jeffrey HANTOVER

An Original: Zhu Wei - PLA grad was discovered in a sea of kiosks

- Hilary BINKS

Styles and Methods in the Painting of Zhu Wei

- Henry AUYEUNG, 歐陽憲

Zhu Wei and His Determination

- JIA Fangzhou, 賈方舟

World Within World Without: Zhu Wei's paintings are an idiosyncratic vision of China's social and political life

- Karen SMITH

The Pinnacle of Aesthetics and Thinking

- LIU Tiancheng, 劉天呈

Zhu Wei Diary
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This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

Zhu Wei Diary, 朱偉日記