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Conversations

Gambles Against Time

Sarp Renk Özer of AVTO speaks with Merve Ünsal on cultivating arts organisations from scratch, and helping them survive

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Conversations

The Scream and the Whisper

Yaniya Lee speaks with two friends about language and power, Blackness and signification, and strategising ways of being

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Conversations

The City Doesn't Love You Back: A Conversation on Artistic Distance

Oscar Chan, Lau Hiu Tung, and Eunice Tsang discuss “stalking” Hong Kong, transnational art-making, and curating “Hong Kong” shows

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Conversations

Extensions and Expansions: In Conversation with Reliable Copy

Reliable Copy discusses the circulations, influences, and audiences in Bangalore’s publishing scene and beyond

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Conversations

Publishing as Method: In Conversation with Ozge Ersoy and Paul C. Fermin

On publishing cultures and trends, conceptualisations of “Asia,” and care and community during the COVID-19 pandemic

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Conversations

Crossing Borders: Art and Artists’ Writings Across Languages

On the challenges of researching art writing across multiple languages and translations in South Asia

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Conversations

On Public Mindedness: In Conversation with Vasif Kortun

Being public is not a given, it has to be earned. Vasif Kortun and Özge Ersoy discuss art institutions, publics, and institutional alliances

Image: Nilima Sheikh, <i>Sarhad 2</i> (detail), 2014. Tempera on Sanganer paper. Private Collection. Courtesy of the artist.
Conversations

Accumulated Grace: Nilima Sheikh on the Dunhuang Caves

Nilima Sheikh discusses histories of the Dunhuang Caves and their influence on her work

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Conversations

“Earth Drives Earth Along”: In Conversation with Nilima Sheikh

Nilima Sheikh discusses the histories and materiality of four natural pigments from her studio space in Baroda

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Conversations

Boris Groys in Conversation with Johnson Chang

On archives as “museums minus the aesthetic experience,” the return of God as a spectator, and the totalitarianism of music

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Conversations

A Conversation Between Chen Kuan-hsing and Rasheed Araeen

On art history, institutional complicity, and decolonisation struggles