Longform explorations of recent art in Asia, archives, art histories, urgent preoccupations, and other areas of interest

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change the game

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what strange weather for a promise

Yang Yeung writes about temperature, intimacy, and silence as contingent, but not arbitrary qualities of human interaction

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That I Require

Koel Chu ruminates on masturbation, making a living as a translator, and writing without writing

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On Stalling and Turning: A Wayward Genealogy for a Binary-Abolitionist Public Toilet Project

Susan Stryker considers concepts of transness in relation to spatial configurations, and imagines other arrangements of space, time, and social interaction

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Perforated Islands: A Proposition in Co-Sensing with the More-Than-Human

Joella Q. Kiu writes about artistic collaborations, spirit histories, and urban redevelopment

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once more with feeling

Karen Cheung and Paul C. Fermin write about outsiders, love letters, abjection, reality TV, temporal vibes, art theory babes, etc.

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Afro-Asian Feminist Art: Futurist Genealogies

Tao Leigh Goffe and Andrea Chung consider art’s ability to critique traditional histories and envision otherwise futures

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In Hot Water

Hou Lam Tsui reflects on her obsession with City Pop and Shōwa aesthetics, and their significance for her art practice

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Mithila Art and the Conversation of Change

Pallavi Payal considers the evolving form and content of contemporary Mithila art, and her own artistic identity

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Exquisite Pain

Darian Leader writes about accessing grief through art, and the public dimension to mourning

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Acts of Viewing and Performativity in (Un)Periodicals

Noopur Desai examines the ephemerality and performativity of the little magazine movement in India

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Coincidence and Re-collection; Lateness and Insight

Lee Weng Choy writes about memory; exhibitions histories; and the forms, practices, and practicalities of the biennale

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Good Art: “Hong Kong Sixties”

Oscar Ho reflects on the challenges of curating exhibitions that speak to the distinctiveness and vibrancy of Hong Kong culture

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Lo Ting and Hong Kong Cultural Identity: Part One

Oscar Ho reflects on 1990s Hong Kong, the mythological figure Lo Ting, and the stakes of writing art history

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Lo Ting and Hong Kong Cultural Identity: Part Two

Oscar Ho reflects on the conceptualisation, audience reactions, and afterlives of his exhibition about Lo Ting and the ancestral myth of Hong Kongers

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No Respect, No Hierarchy: “We Don’t Know How To Paint!”

Oscar Ho considers more expansive definitions of art, and some provocations around curatorial gatekeeping and authority

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The Wall of Blankness

Koel Chu examines how woodcut printmaking holds space for catharsis and nuanced narratives in uncertain times

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Boundaries and boundlessness: On Kingsley Ng's works

Grace Gut looks at the question of the audience in the Hong Kong artist's recent works

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Undefeated Mutual Attachment

Lauren Berlant considers what our bodies, attachments, and solidarities make possible in the midst of structural cruelty

Image: Sung Gi Kim, <i>[Public, Market]</i>, 2019.
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for those of us who cannot leave or stay—

Eunsong Kim interrogates the labour and material processes of aesthetics, and asks whether art and writing are even necessary