Dispatches, briefs, experiments, research reports, image galleries, and travelogues
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3SUMS | what's your refuge?
Oscar Chan, Lau Hiu Tung, and Eunice Tsang talk about their places of refuge in Hong Kong
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In Hot Water
Hou Lam Tsui reflects on her obsession with City Pop and Shōwa aesthetics, and their significance for her art practice
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Mithila Art and the Conversation of Change
Pallavi Payal considers the evolving form and content of contemporary Mithila art, and her own artistic identity
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Green Veils
by Louise Leung Fung Yee
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3SUMS | what keeps you connected?
Christina Yuen Zi Chung, Xyza Cruz Bacani, and Wing Chan share objects they own that keep them connected to Hong Kong
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Exquisite Pain
Darian Leader writes about accessing grief through art, and the public dimension to mourning
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Good Art: “Hong Kong Sixties”
Oscar Ho reflects on the challenges of curating exhibitions that speak to the distinctiveness and vibrancy of Hong Kong culture
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Lo Ting and Hong Kong Cultural Identity: Part One
Oscar Ho reflects on 1990s Hong Kong, the mythological figure Lo Ting, and the stakes of writing art history
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Lo Ting and Hong Kong Cultural Identity: Part Two
Oscar Ho reflects on the conceptualisation, audience reactions, and afterlives of his exhibition about Lo Ting and the ancestral myth of Hong Kongers
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No Respect, No Hierarchy: “We Don’t Know How To Paint!”
Oscar Ho considers more expansive definitions of art, and some provocations around curatorial gatekeeping and authority
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Boundaries and boundlessness: On Kingsley Ng's works
Grace Gut looks at the question of the audience in the Hong Kong artist's recent works
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Undefeated Mutual Attachment
Lauren Berlant considers what our bodies, attachments, and solidarities make possible in the midst of structural cruelty
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AAA’s IDEAS Journal | About & Submissions
AAA is accepting pitches for IDEAS Journal
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Indecisive Intuition
S. Yi Yao Chao’s artist response to the Lee Wen Archive
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Gudskul Art Collective: Learning while Nongkrong, Nongkrong while Learning
Angga Wijaya reflects on the Jakarta-based art collective’s belief in togetherness and experience-based pedagogy
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A Performative State of Indefinite Duration
Bruce Quek reflects on contingency, institutional order co-existing with fractal weirdness, and the Independent Archive
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Crying in the Gallery: On Grief and Empathetic Curating
Kaitlin Chan reflects on her experience curating an exhibition for the late Hong Kong artist Hon Chi-fun
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I Go South
Anthony Yung reflects on Cantonese art and the challenges of representation
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Updates to AAA's Website
An overview of some key updates to Asia Art Archive's website
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Part-time Pedagogies: Introducing Three Places for Emancipatory Learning
Through annotated illustrations, Michael Leung reflects on the potential for emancipatory learning in Hong Kong
