Tue, 14 Jun-Fri, 7 Oct 2016 | Times Museum (Guangdong, China)
Asia Art Archive collaborates with Guangdong Times Museum as research partner for the exhibition ‘Operation PRD: Big Tail Elephants: One Hour, No Room, Five Shows’—Big Tail Elephants Group’s first large-scale retrospective since its 1998 exhibition in Kunsthalle Bern, Switzerland. Complementing AAA’s archival research for the exhibition, a selection of material on the group from AAA’s collection is provided below, including publications, photo documentation of artworks and exhibitions, exhibition ephemera, manuscripts, and sketches.
The Big Tail Elephants Group was founded by three artists based in Guangzhou in the early 1990s: Chen Shaoxiong, Liang Juhui, and Lin Yilin, with Xu Tan joining the group shortly after. Its first exhibition was held in Guangzhou No.1 Workers’ Palace in 1991, and the group followed with yearly self-organised exhibitions, typically in unconventional exhibition spaces such as local bars, outdoor venues, and abandoned residential buildings. Each exhibition primarily showcased works by members of the group. Though Big Tail Elephants Group never officially dissolved, it was mainly active from 1991 to 1998, and the artists have worked independently since.
Although members of Big Tail Elephants Group did not create works collectively, constant dialogue within the group generated a synergy, expressed through a focus on methodologies, ideas around art creation, and social issues. Their work centred on cross-disciplinary experimentation through installation, video, and performance art that reflected their individual experiences. The work of Big Tail Elephants is considered to represent the anxiety derived from China’s urbanisation in the 1990s, offering a critique of the rapid change in social values generated by pop culture, consumerism, and the information age. The body of work by Big Tail Elephants spotlights a unique point in the course of contemporary art history on social issues, experimentation of artistic media, and exhibition organisation.
Digital Game (Exhibition View), 數字遊戲 (展覽現場)
People and Cockroaches, 蟑螂與人
Construction of a Place and Ants, 產生空間與螞蟻
5 Hours (Exhibition View), 5小時 (展覽現場)
100 Pieces and 1000 Pieces, 100塊和1000塊
《大尾象》，瑞士伯恩美術館，伯恩，1998。Big-Tail Elephant, Kunsthalle Bern, Bern, Switzerland, 1998. MON.BTE
陳侗，〈空間的交織 1991–1996「大尾象」〉，《當代藝術與投資》，2007 第10期，頁59-61。
Chen Tong, ‘The Interweave of Space: Big-Tail Elephant in 1991-1996’, Contemporary Art & Investment, 2007 vol. 10, pp. 59-61. PER.CAIN
‘Xu Tan: About My Medium (The 1990s)’, New Arts, 2015 no. 10, pp. 80-83. PER.NAT
Jean-Pierre Dumont, ‘Histories d’Éléphants’, Paroles, 1995 no. 136, pp. 9-11. PER.PAR
侯瀚如， 〈街壘：「大尾象工作組」〉，《廣東快車》，湖南美術出版社，長沙，2003年，頁 78-90。
Hou Hanru, 'Barricades, “Big Tail Elephants Working Group”’, Canton Express, Hunan Arts Publishing House, Changsha, 2003, pp. 78-90. EX.ITA.BVE.2003
Melissa Chiu, ‘Static Interference: The Big Tail Elephant Group of Guangzhou’, ART AsiaPacific, no. 24, 1999, pp. 42-53. PER.AAP
Monica Dematte, ‘5 Hours, Value of 1000 Yuans, Allegory of Love’, Art — An Individual Research: Witnessing 20 Years of Chinese Contemporary Art, 2008, pp. 12-17. REF.DEM
- Collection Spotlight
- Fri, 7 Oct 2016