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Tara Fatehi interferes with the rhythm by bringing movement and attention into the archive
Amber Jamilla Musser uses an IG alter ego to explore issues around Black femininity and the terms of representation
Ysabelle Cheung connects apocalyptic narratives and reality tv, bookstore closures and writing workshops, fear and death and community and more
Lana Lin explores legacies of imperial naming practices, and the urgency to speak out against injustice
Paul C. Fermin writes about states (and stakes) of being through basketball, star trek, and "oceanic feeling"
Christine Vicera writes about turbulence, holding space, building harmonies, and liberatory modes of thinking and being
Ethan Luk writes about disappearing phone booths, letter writing, daily assemblies, a magnolia alba tree, hotel rooms, and more
Emily Ogden asks how to love in conditions of uncertainty
Larissa Pham traces the origins of her unlanguaged feelings, and the process of coming to terms with them
Andrea Chu writes about not being funny, and reassures herself about it
Özge Ersoy meditates on translation, collaboration, and conveying texture and time
Holmes Chan reflects on childhood memories of a neighborhood in Hong Kong, amidst more recent luxury property developments
Summer Kim Lee considers what to carry and what to shed, even in moments of disruption and upheaval
Karen Cheung interrogates the desire to name, and giving yourself permission to write something that feels real
Koel Chu reflects on the notion of cooking as labour of love and act of service
Wong Chun Ying reflects on truth, connection, and love, drawing from experiences in film, journalism, restaurants, and art
Kang Kang explores the temporalities and ethics of grief work, and losses that refuse “successful mourning”
Mina Wang Zhou reflects on navigating the aquatics of tension
Sam Chan writes about meaningful trouble, how to begin, and condensing fury till it is flame
Koel Chu ruminates on masturbation, making a living as a translator, and writing without writing
